THE LITTLE PONY / EL PEQUEÑO PONI

LONDON THEATRE 1

15/06/2018

‘…the piece is dark but with a glimpse of light at the end, the performances are strong and the script powerful’ ????

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BROADWAY WORLD UK

15/06/2018

‘Empathy, a hard won prize at all times, is, as ever, the key that turns the lock into a closed world of suffering and damage.’ ????

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THE SPY IN THE STALLS

15/06/2018

‘…they capture in equal amounts, the mundane as well as the unimaginable events that happen within a long-term relationship.’  ????

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ACTDROP

14/06/2018

‘Paula Paz’s worthy and considered production starts off in a suitably relaxed manner, but she quickly ramps up the tension, inciting commendable work from both actors.’  ????

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THE SWALLOW / LA GOLONDRINA

BROADWAY WORLD UK

08/05/2018

‘I hugged my sons a little closer when I got home – and that’s never a bad reaction for a play to provoke.’ 

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EVERYTHING THEATRE

02/05/2018

‘David Luque and Jeryl Burgess offer passionate performances without falling into over dramatisation or romanticism.’ ????

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ACTDROP

26/05/2018

‘The challenge of a single, fairly lengthy, uninterrupted scene that requires significant gear-changes, with many tension-laden moments, is met with skilful and believable performances from the two actors.’ ????

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THE HOUSE OF BERNARDA ALBA/ LA CASA DE BERNARDA ALBA

EVERYTHING THEATRE

27/11/2017

‘The company have created an utterly believable, supremely performed show of eternally relevant torments that I’d encourage anyone to go and see.’ ?????

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BREAKING THE FOURTH WALL

21/11/2017

‘In this particular production, the message hammers home about the oppressive nature of what is expected of women, expectations that over the millennia have been self-imposed for fear of being branded a ‘scarlet woman’, a harlot’ ????

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BROADWAY WORLD

19/11/2017

‘The production is a triumph for director Jorge de Juan who has conjured such wonders from his cast and who explores the full complexity of Lorca’s masterpiece at a dizzying pace……’ ?????

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DAILY EXPRESS

10/11/2017

 ‘Performances are terrific and I would happily return to see it in Spanish – and I don’t speak a word of it.’ ????

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EL MUNDO 

6/11/2017

‘15 mujeres, 15, se alternan en el escenario del Cervantes Theatre de Londres en La casa de Bernarda Alba y en insólitas funciones bilingües. Por primera vez, el drama lorquiano por excelencia llega a la capital mundial del teatro en los dos idiomas alternos, para celebrar el año vivido peligrosamente bajo los arcos del ferrocarril elevado en el Old Union Yard, al sur del Támesis.’

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LONDON THEATRE 1

5/11/2017

‘A thoughtful and poignant production from the Spanish Theatre Company.’ ???? 

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REVIEWS GATE

5/11/2017

‘A powerful performance by Mary Conlon, surface steel and inner rage in the title role, and a strong supporting cast…’ ????

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EL IBERICO

3/11/2017

‘El Teatro Cervantes consigue transportarnos, desde Londres, a la España profunda y ultracatólica de primera mitad de siglo XX. Esto lo hace posible una conjunción de factores ensamblados con esmero.’

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THE SPY IN THE STALL

2/11/2017

‘The impression of intense heat which, combined with the themes of sexual tension, created an interesting dynamic’????

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THE SWALLOW/ LA GOLONDRINA

AISGE – Entrevista a Paula Paz y David Luque

15/11/2017

“Hay que hacer el teatro español universal, y esta es la plataforma”

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EL IBERICO 

02/10/2017

???? “A STANDING OVATION FROM THE AUDIENCE is the best epilogue all play should have”

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TERRI PADOCK

02/10/2017

‘It’s a sensational drama – indeed, having seen it in English, I’m tempted to return to see it in Spanish… and I don’t even speak Spanish.’

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VIEW FROM THE CHEAP SEAT

01/10/2017

‘Written by Spanish playwright, Guillem Clua, The Swallow is a tightly written, brilliantly directed and acted rollercoaster of: anger, heartache, hatred, humour, recriminations, guilt and sorrow.’

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THE STAGE

29/09/2017

‘The space is so intimate that at times it feels like the actors are performing just for you’

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